Allen & Heath I-Live 144 digital consol systeem

Beschrijving

Eindelijk het antwoord van A&H op de digitale mengtafelvraag.

Slim ontwerp, precies waar de markt om vraagt !

Geen zware en dure multikabel meer nodig en hoge kwaliteit.

Mail ons voor prijsopgaaf van de gewenste systeem setup

Afgestemd op wensen van gebruikers, de jarenlange ervaring en
technische voorsprong is iLive een zeer vernieuwende lijn digitale
mengtafels voor LIVE – toepassingen.

over iLive : The heart of the system is the iDR-64,
a 19? rack-mounting modular mix engine providing 64 channels into 32
mixes, which can be assigned as auxes, groups, matrix and main outputs.
The iDR-64 is a stand-alone mixer comprising the 8-channel audio
interface cards, DSP processing, and communication ports.

The unit is controlled via an Ethernet network and can be connected
to a variety of controllers, including the new range of iLive control
surfaces, Allen & Heath?s PL range of remote units, third party
devices, or a laptop/PC. Two EtherSound ports are provided for low
latency remote audio distribution, connection of an additional unit to
expand the system to 128 channels, FOH/monitor signal splitting, and
the connection of multi-tracks and other EtherSound-equipped devices.
All channels and mix masters have EQ, dynamics and delay processing,
with on-board FX, and an option for a built-in 32 channel speaker
processor.

Branded plug-ins are being developed for the future. There are three
iLive control surfaces – the iLive-112, iLive-144, and the iLive-176 ?
designed to reflect the feel of an analogue console. The faders are
motorised and grouped in 3 sections, each with 4 banks, giving up to
176 control strips on the largest size surface. There is a multi-colour
backlit LCD display above each fader for labelling and colour-coding
channel information. The channel controls for preamp, filter, gate, EQ,
compressor and limiter/de-esser are laid out across the top of the
surface on rotary controls with LED indicators, while a colour LCD
touch screen presents a graphical view of the processing and access to
the automation and set up screens. Audio at the surface is handled by
8-channel analogue or digital I/O cards for up to 16 inputs/outputs.

Meer informatie op de speciale Allen & Heath i-LIve website

Allen
& Heath has entered the digital mixer domain with the launch of the
iLive digital mixing console system. Developed for live sound
applications, iLive?s ?ground up? design features an extremely flexible
architecture with large-scale audio distribution and control. iLive is
designed to bring an analogue feel to digital mixing and draws on the
company?s extensive experience in live sound and digital technology.

The heart of the system is the iDR-64, a 19? rack-mounting modular mix
engine providing 64 channels into 32 mixes, which can be assigned as
auxes, groups, matrix and main outputs. The iDR-64 is a stand-alone
mixer comprising the 8-channel audio interface cards, DSP processing,
and communication ports. The unit is controlled via an Ethernet network
and can be connected to a variety of controllers, including the new
range of iLive control surfaces, Allen & Heath?s PL range of remote
units, third party devices, or a laptop/PC.

Two EtherSound ports are provided for low latency remote audio
distribution, connection of an additional unit to expand the system to
128 channels, FOH/monitor signal splitting, and the connection of
multi-tracks and other EtherSound-equipped devices. All channels and
mix masters have EQ, dynamics and delay processing, with on-board FX,
and an option for a built-in 32 channel speaker processor. Branded
plug-ins are being developed for the future.

There
are three iLive control surfaces – the iLive-112, iLive-144, and the
iLive-176 ? designed to reflect the feel of an analogue console. The
faders are motorised and grouped in 3 sections, each with 4 banks,
giving up to 176 control strips on the largest size surface. There is a
multi-colour backlit LCD display above each fader for labelling and
colour-coding channel information. The channel controls for preamp,
filter, gate, EQ, compressor and limiter/de-esser are laid out across
the top of the surface on rotary controls with LED indicators, while a
colour LCD touch screen presents a graphical view of the processing and
access to the automation and set up screens. Audio at the surface is
handled by 8-channel analogue or digital I/O cards for up to 16
inputs/outputs.

Allen & Heath?s MD, Glenn Rogers, commented:

?The brief I gave the R&D team was to create a system that bridges
the gap between analogue and digital audio. iLive is the culmination of
Allen & Heath?s 35-years in analogue mixing, combined with almost a
decade?s experience of digital design for the installation market.
We?ve dedicated 50 man-years of R&D time to arrive at an affordable
digital console range that?s expandable, flexible, and simple to
navigate. For the first time in the pro audio market, all the benefits
of digital mixing are accessible to live performance engineers across
the industry.?

DR-64 + iLive-144 touring system:

• Dual psu and flight case
• 44 Faders
• 48 Mic inputs from stage, 16 inputs at surface. expandable to 96 mic inputs from stage
• 64 channels. Can be expanded to 128 channels
• 32 buses assignable as groups, auxes, main, matrix
• 16 DCA groups
• 2 Stereo FX units
• Graphic EQ on every mix

It has some very pretty coloured lights too 😉

Watch the vid and learn more at A&H’s iLive website