F6 PLUS, .5 inch DSLR Camera Field Touch Screen Monitor with HDR 3D Lut Small Full HD 1920×1080 IPS Video Peaking Focus Assist 4K HDMI 8.4V DC Input Output Include Tilt Arm
Specifications
Easy Touchscreen Controls: FEELWORLD F6 PLUS features 1080p resolution, touchscreen control, HDMI input and output, a SD slot to load 3D LUTs, and supports up to UHD 4K input.
User LUT Cube Import: The LUT loading function makes the color calibration work of the previous shooting easier and more intuitive, optimizes the workflow and improves work efficiency. User creative 3D LUT cube or calibration 3D LUT cube can be uploaded to F6 PLUS by SD card.
4K HDMI Input/ Output Without Delay: Support 4K format: 4K UHD 3840X2160p (30/29.97/25/24/23.98Hz), 4096X2160p (24Hz). Directly to any DSLR or HD/4K video camera, and send the signal to other monitors, convenient for directors and photographers to monitor simultaneously.
Cold Shoe Mounted Tilt Arm: 360° rotation of Tilt Arm allows run-and-gun shooters to make quick, smooth monitor adjustments. Included an extra shoe mount for accessories like microphones, video lights.
Ideal for Small Camera/ HDSLR Production: More than just a monitor or a camera power supply system. FW568 with 8.4V DC output could power your camera to extend the run-time. Dummy Battery (optional for Sony, Canon, Nikon, Panasonic). Integrates with a dual-purpose battery plate: compatible Sony F970, Canon LP-E6.
Optimised for DSLR Cameras: Have three fast keys for quick operation. Compact size and professional image analysis are the perfect complement to your DSLR camera’s features. Include Focus Assist, Histogram, False Colors, Zebra Exposure, Aspect Ratio, Image Flip, Zoom, Anamorphic, Image Flip, Safe Area, etc.
Specifications
Easy Touchscreen Controls: FEELWORLD F6 PLUS features 1080p resolution, touchscreen control, HDMI input and output, a SD slot to load 3D LUTs, and supports up to UHD 4K input.
User LUT Cube Import: The LUT loading function makes the color calibration work of the previous shooting easier and more intuitive, optimizes the workflow and improves work efficiency. User creative 3D LUT cube or calibration 3D LUT cube can be uploaded to F6 PLUS by SD card.
4K HDMI Input/ Output Without Delay: Support 4K format: 4K UHD 3840X2160p (30/29.97/25/24/23.98Hz), 4096X2160p (24Hz). Directly to any DSLR or HD/4K video camera, and send the signal to other monitors, convenient for directors and photographers to monitor simultaneously.
Cold Shoe Mounted Tilt Arm: 360° rotation of Tilt Arm allows run-and-gun shooters to make quick, smooth monitor adjustments. Included an extra shoe mount for accessories like microphones, video lights.
Ideal for Small Camera/ HDSLR Production: More than just a monitor or a camera power supply system. FW568 with 8.4V DC output could power your camera to extend the run-time. Dummy Battery (optional for Sony, Canon, Nikon, Panasonic). Integrates with a dual-purpose battery plate: compatible Sony F970, Canon LP-E6.
Optimised for DSLR Cameras: Have three fast keys for quick operation. Compact size and professional image analysis are the perfect complement to your DSLR camera’s features. Include Focus Assist, Histogram, False Colors, Zebra Exposure, Aspect Ratio, Image Flip, Zoom, Anamorphic, Image Flip, Safe Area, etc.
Lightweight Light and Slim Design, Only 235g The F6 PLUS is 5.5 inch and only 235g, and makes it the ideal size and weight for field production. The entire monitor’s build is sturdy and compact, allowing you to easily mount it to your DSLR camera or even a gimbal stabilizer. It gives you the freedom to shoot well anywhere.
HDR Monitoring What you see is what you get. F6 PLUS has built-in HLG 2020, HLG 709, HLG P3 HDR 3D LUT, and Rec709 De-slog3 LUTs, includes SLOG2, SLOG3, LOGC, VLOG. The monitor can display an HDR (high dynamic range) signal for incredible clarity and detail, simplify the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most–while shooting.
4K HDMI Input & Loop Output 4K HDMI Input & Loop Output The F6 PLUS has 4K HDMI in and loop-out, allowing it to not only display live signals, but also send them out to other monitors simultaneously. The HDMI output can transmission to broadcast monitor, convenience director and photographer monitoring at the same time.
Convenient Mounting
Tilt Arm
Every F6 PLUS monitor will ship with a cold shoe mounted Tilt Arm. Shooters will have a secure way to position their monitor while maintaining a low profile. • Allows the F6 PLUS monitor to rotate 360 degrees for viewing convenience • Secure and lightweight mounting via shoe mount or 1/4″-20 thread • Includes a shoe mount of its own for accessories like a microphone, LED light, or wireless receiver, etc
Power Input In addition to the power supply through the battery plates and 12V DC power input(can be using 12V/1.5A adapter), it also supports 5V Type-C input, which can be powered by mobile phone charger or power bank. (At least 5V/2A) Note: The 5V Type-C port is only used for power supply, not for data transmission, and cannot provide loop-out power
Flexible Installation Flexible Install Both on Camera and Gimbal FEELWORLD F6 PLUS features standard 1/4″ mount points (top, bottom, right) for attaching it to cameras and rigs. Not only you can install it on a monitor through tilt arm, but also you can mount it on a handheld stabilizer or securely attach it to the top of your camera as the ultimate HD viewfinder! If you install it on the bottom of the device, you can also combine the image flip function to maintain the correct orientation of the screen!
Portable Sunshade Portable Sunshade, Easy Install The F6 PLUS monitor is equipped with a sunshade, which allows the photographer to focus more on the video and avoid the interference of strong light, providing a better visual experience. The installation process is simple and fast, which is very suitable for outdoor shooting.
WB-200 Series Wireless Intercom offers two different models of base station: WBS-200HD base station allows communication with up to 4 wireless beltpacks in one single intercom channel, while WBS-202HD station is capable to communicate with a maximum of 8 wireless beltpacks, distributed in one or two intercom channels depending on the user´s needs.
Apart from the wireless beltpacks, both models can also power cable-based intercom devices (beltpacks, desk stations, etc.)
Finally, ALTAIRAltairHigh-end , robuust en betrouwbaar merk voor intercoms intercom systems are compatible with most major intercom manufacturers in the market, which make our products a great choice for those professionals willing to renew or upgrade their previous systems.
WIRELESS INTERCOM SYSTEM
Since its launch in late 2006, the ALTAIR wireless intercom system has made its way into the professional A/V industry and nowadays enjoys great popularity thanks to its reliability, ease of use and affordable price.
Depending on the selected base station model the user will be able to work with a maximum of 4 or 8 wireless beltpacks, keeping the possibility of adding more beltpacks by linking several stations. At the same time, ALTAIR wireless stations are compatible with cable devices (beltpacks and remote stations), offering the user the possibility of creating mixed wired & wireless intercom networks.
Also, Depending of the situation, ALTAIR base stations can also be powered remotely from another base station, simplifying notably the installation process, specially for portable aplications.
The new ALTAIR WBS-200HD base station allows the use of a maximum of 4 single channel wireless beltpacks, plusup to 20 wired intercom beltpacks and/or stations.This lets the user set up mixed wireless/wired solutions to fit the requirements of any different installation.The new series of wireless intercom stations offers the same features and special functions that our clients love and that turned the WB-200 Series into a huge success, while notably improving the audio quality in the intercom line.
This new base station replaces its predecessor (WBS-200), keeping the compatibility with it and with any ALTAIR wireless beltpack.
– Dual pre-amble diversity antenna system detects and selects the higher radio signal, ensuring the best possible range and minimizing dropouts. When used along with any ALTAIR “HD” wireless beltpack the station will deliver an improved wideband audio quality.
– When more beltpacks are needed the unit can be used in “slave” mode by wiring base stations acrross the working area, expanding the number of wireless users in a cellular arrangement.
– Digital encryption process ensures the privacy of the communication line.
– The base unit can be powered externally from another intercom base station or from a 12 volts battery.
– Two detachable omni antennas are provided with the unit. External high gain directive antennas can be mounted when needed to increase the coverage area.
RADIO
Frequency:1900 Mhz band
Modulation:GFSK/TDMA.
Transmit Power:22 dBm typically.
Receive Sensitivity:-92 dBm typically.
Number of beltpacks per base:1 to 4 units maximum in party, line full duplex conversation.
AUDIO
Party line Channels:2 Channels: A and B selectable.
“Wideband” audio quality:100Hz – 7kHZ when used along with ALTAIR “HD” beltpacks.
Program Input:Line or Mic level selection.
Audio Out:Party line or Mic only selectable.
Stage Announce Out:Allows PA announces from mic base and from Manager beltpacks.
Headset type:Selectable, dynamic or electret.
Headset connectors:4 pin XLR male & 4 pin mini XLR.
GENERAL
Power requirements:90 to 250 VAC / 50-60 Hz/ 10 Watts.
WB-200 Series Wireless Intercom offers two different models of base station: WBS-200HD base station allows communication with up to 4 wireless beltpacks in one single intercom channel, while WBS-202HD station is capable to communicate with a maximum of 8 wireless beltpacks, distributed in one or two intercom channels depending on the user´s needs.
Apart from the wireless beltpacks, both models can also power cable-based intercom devices (beltpacks, desk stations, etc.)
Finally, ALTAIRAltairHigh-end , robuust en betrouwbaar merk voor intercoms intercom systems are compatible with most major intercom manufacturers in the market, which make our products a great choice for those professionals willing to renew or upgrade their previous systems.
WIRELESS INTERCOM SYSTEM
Since its launch in late 2006, the ALTAIR wireless intercom system has made its way into the professional A/V industry and nowadays enjoys great popularity thanks to its reliability, ease of use and affordable price.
Depending on the selected base station model the user will be able to work with a maximum of 4 or 8 wireless beltpacks, keeping the possibility of adding more beltpacks by linking several stations. At the same time, ALTAIR wireless stations are compatible with cable devices (beltpacks and remote stations), offering the user the possibility of creating mixed wired & wireless intercom networks.
Also, Depending of the situation, ALTAIR base stations can also be powered remotely from another base station, simplifying notably the installation process, specially for portable aplications.
The new Altair WBS-202HD dual channel wireless base station doubles the capacity of the single channel station (WBS-200HD), maintaining full compatibility with it and with previous models. The unit can connect with a maximum of 8 wireless beltpacks.
2 independent radio links (2 channels) with a capacity of up to 4 wireless beltpacks each. The system can operate in two differnt modes, A/B, with two independent channels and A+B with up to 8 wireless beltpacks in a single party line.
WBS-202HD is compatible with all our wireless beltpack models, allowing the use of a maximum of 8 single channel beltpacks or 6 single channel beltpacks plus 2 dual channel “manager” beltpacks.
PLEASE NOTE THAT ONLY 1 DUAL CHANNEL BELTPACK CAN BE REGISTERED TO EACH RADIO LINK (one dual channel beltpack registered to each channel)
– Dual pre-amble Diversity antenna system, detects and selects the higher radio signal ensuring better coverage and minimum drop-outs.
– Digital encryption process ensures high security conversations.
– Two detachable omnidirectional antennas are provided with the unit. External high gain directive antennas can be mounted when desired to increase the coverage area.
Apart from the wireless beltpacks, WBS-202HD incorporates two independent A/B party line outputs to drive standard EM-201 wired beltpacks, ES-200 hands-free desk station, etc. allowing the user to set up mixed solutions including wired and wireless beltpacks.
RADIO
Frequency:1.9 Ghz band.
Modulation:GFSK/TDMA.
Transmit Power:22 dBm typically.
Receive Sensitivity:-92 dBm typically.
Beltpacks per base capability:8xWBP-200 single channel or 6xWBP-200 & 2xWBP-202 dual channel.
AUDIO
Party line Channels:2 Channels: A and B selectable.
“Wideband” audio quality :100HZ – 7kHz when used along with ALTAIR “HD” wireless beltpacks.
Program Input:Selectable Mic/Line input level.
Audio Out:Party line or Mic only selectable.
Stage Announce Out:Allows PA announces from mic base and from Manager beltpacks.
Headset type:Selectable, dynamic or electret.
Headset connectors:4 pin XLR male & 4 pin mini XLR.
GENERAL
Power requirements:90 to 250 VAC / 50-60 Hz/ 40 Watt.
OPERA REEVO 210 and OPERA REEVO 212 deliver an astonishing sound pressure level with touring-grade sound definition and a remarkable low-end extension in a compact and freshly designed enclosure accessible to anybody who wants great sound anywhere.
The Quasi 3-way configuration delivers a vigorous yet pristine sound. This bold acoustic design is in-fact unparalled in its category, inspired by dBTechnologies touring series, marks a clear step-up In the longest running and most appreciated dBTechnologies active speaker series of all times.
Opera Reevo translates the mix in an impeccable way, adapting the speaker to complex musical material especially when rich in the midrange region, where separation and clarity can really make a difference in the outcome of any performance.
This is granted by the coaxial acoustic design, featuring a front Integrated HF horn with diamond-shaped cutouts with the aim of rendering comb filtering-free high frequency reproduction, and at the same time of improving the upper woofer’s efficiency.
Another phase plug enhances the lower woofer efficiency: this acoustic device greatly improves the transient response and overall behavior of this transducer.
Low noise reflex ports are integrated in the front molding. The honeycomb structure inside the ports helps reducing wind turbulence caused by the high airflow of this high SPL powerhouse.
Both models are equipped with a Class-D Digipro G2 amplifier which delivers an impressive 1050 W RMS and 2100 W Peak power, and features advanced DSP processing where FIR linear phase filters allow the systems to achieve a coherent audio performance, rendering an uniform and crystal-clear sound. Moreover, Opera Reevo offers factory-tailored voicing presets to adapt to multiple scenarios, including when in need of a wedge stage monitor or a completely standalone full-range PA system.
This versatile sound processing works in tandem with a cleverly designed box shape which combines cutting-edge design and ease of use. OPERA REEVO can be used as a wedge stage monitor or on a classic speaker stand support. When paired with a subwoofer can be mounted on a 36mm standard pole, and can be also suspended thanks to the integrated 3x M10 threaded eyebolts, making this enclosure a perfect permanent installation complement.
Both cabinets have a very compact size compared to the output SPL of 132.5 dB (REEVO 210) and 133 dB (REEVO 212), yet featuring 2x Neodymium woofers (10” for REEVO 210 and 12” for REEVO 212) and one 1.75” coaxial compression driver, keeping the overall weight down to 17.2 Kg / 37 lbs (REEVO 210) and 20.4 Kg / 44 lbs (REEVO 212).
When it comes down to business, Opera Reevo outstanding voicing ensures seamless and transparent rendition of any speech, where intelligibility is mission critical (such as corporate events or houses of worship) with a very wide nominal dispersion: 100°x80° (REEVO 212) and 100°x90° (REEVO 210) granting greatly consistent coverage from every listening position.
OPERA REEVO 210 and OPERA REEVO 212 deliver an astonishing sound pressure level with touring-grade sound definition and a remarkable low-end extension in a compact and freshly designed enclosure accessible to anybody who wants great sound anywhere.
The Quasi 3-way configuration delivers a vigorous yet pristine sound. This bold acoustic design is in-fact unparalled in its category, inspired by dBTechnologies touring series, marks a clear step-up In the longest running and most appreciated dBTechnologies active speaker series of all times.
Opera Reevo translates the mix in an impeccable way, adapting the speaker to complex musical material especially when rich in the midrange region, where separation and clarity can really make a difference in the outcome of any performance.
This is granted by the coaxial acoustic design, featuring a front Integrated HF horn with diamond-shaped cutouts with the aim of rendering comb filtering-free high frequency reproduction, and at the same time of improving the upper woofer’s efficiency.
Another phase plug enhances the lower woofer efficiency: this acoustic device greatly improves the transient response and overall behavior of this transducer.
Low noise reflex ports are integrated in the front molding. The honeycomb structure inside the ports helps reducing wind turbulence caused by the high airflow of this high SPL powerhouse.
Both models are equipped with a Class-D Digipro G2 amplifier which delivers an impressive 1050 W RMS and 2100 W Peak power, and features advanced DSP processing where FIR linear phase filters allow the systems to achieve a coherent audio performance, rendering an uniform and crystal-clear sound. Moreover, Opera Reevo offers factory-tailored voicing presets to adapt to multiple scenarios, including when in need of a wedge stage monitor or a completely standalone full-range PA system.
This versatile sound processing works in tandem with a cleverly designed box shape which combines cutting-edge design and ease of use. OPERA REEVO can be used as a wedge stage monitor or on a classic speaker stand support. When paired with a subwoofer can be mounted on a 36mm standard pole, and can be also suspended thanks to the integrated 3x M10 threaded eyebolts, making this enclosure a perfect permanent installation complement.
Both cabinets have a very compact size compared to the output SPL of 132.5 dB (REEVO 210) and 133 dB (REEVO 212), yet featuring 2x Neodymium woofers (10” for REEVO 210 and 12” for REEVO 212) and one 1.75” coaxial compression driver, keeping the overall weight down to 17.2 Kg / 37 lbs (REEVO 210) and 20.4 Kg / 44 lbs (REEVO 212).
When it comes down to business, Opera Reevo outstanding voicing ensures seamless and transparent rendition of any speech, where intelligibility is mission critical (such as corporate events or houses of worship) with a very wide nominal dispersion: 100°x80° (REEVO 212) and 100°x90° (REEVO 210) granting greatly consistent coverage from every listening position.
MAP series consists of 2 different models (MAP-128 & MAP-1216) of professional audio matrix, plus its accesories (including several control options).This family of products has been created for those commercial audio installations demanding audio processing, distribution, automation and remote control at an affordable price.
Thanks to the software “3cMAP” the user will be able to easily set up the system, making adjusments to be stored in different presets. by recalling these presets, the user will be able to completely transform the audio setup, turning a conference room into a dancehall or a video projection room in seconds (for example).
Proprietary RS-485 remote controls can be daisy chained in different areas or rooms to be used by the personnel. This way, the audio can be easily adjusted acording to the needs of the different areas of the installation. These remote controls allow several actions, such as preset selection, volume controls, source selection, etc. being these control options restricted to a number of parameters previously defined by the installer.
As mentioned above, the processor is controlled using the software 3cMAP. Connection to the computer can be carried out using both the USB connector in the front panel of the processor or the Ethernet connection located on its rear panel. While the USB port allows easy and quick setup or changes, the Ethernet connection will allow local or distant computer operation.
In order to wirelessly control the unit, we must use a router to create a local wireless network. This will allow “LAN” operation of the unit by using any of the specific APPs available at Google Play Store (more information at the bottom of this page).
As for the audio features, the unit is equipped with high performance mic/line preamps, virtual input routing, mixer, EQ, filtering, dynamics, delay, crossover, output matrix, priority ducking, remote control, preset storage, meters, etc.
Crystal-clear processing is guaranteed thanks to the use of last generation A/D converters, leading edge DSP technology plus the renowned ALTAIRAltairHigh-end , robuust en betrouwbaar merk voor intercoms input preamps. Also, MAP series feature balanced output drivers, developed by Altair’s engineering team using the wide knowledge treasured after decades manufacturing mixing consoles.
Furthermore, a real time clock/calendar function is integrated in the unit. This allows the user to schedule tasks to be executed automatically by the unit at the designated time. By doing this, the system will change its configuration depending on the time of the day without any user intervention, opening a wide horizon of potential applications.
When more inputs or outputs are needed, the system can be expandded by linking another unit (max. 2 units). Thanks to the built-in GPIO interface the unit can control relays, adding even more options for the installer. Voice messages can be stored in the unit to easily set up an “evacuation” preset to be recalled if necessary.
APPLICATIONS AREAS
Stadiums, sports and arenas.
Cruise & boat tours.
Multi-purpose facilities.
Auditoriums, theatres, lecture halls.
Paging systems, PA.
Schools & universities.
Courts of law, civic centres.
Broadcast, production studios.
Theme parks, transport stations.
Offices, malls and shopping centres.
Restaurants, night clubs.
Hotel meeting rooms.
Houses of worship.
Conference centres.
Meeting rooms.
Sports, gaming spaces.
FEATURES
12 Mic/Line/+48V INPUTS & 8 or 16 OUTPUTS.
Control by USB, Ethernet, REM2 remotes and GPIO.
3cMAP Software for PC and wireless control on Android devices.
AF-Frequency shifting effect for increased acoustic gain.
Equalisation: PEQ, HP&LP shelving, notch.
Crossovers: 2 to 8 ways multi type.
Delays 0 to 1000 ms INPUTS | 0 to 300 ms OUTPUTS.
Stored messages, meters, tone and pink noise generators.
“REM2” & “REM2-R” WALL CONTROL PANELS
Proprietary RS-485 remote controls can be daisy chained to different areas for personnel attending in preset setup, volume control, source selection, etc. Remote control access is restricted to a set of parameters previously defined by the installer.
GENERAL PURPOSE REMOTE CONTROLLER
Remote control for MAP series Processors.
Source selection/Program selection/Presets.
Volume and Mute control.
Simple Cat5 parallel wiring.
APPS FOR TABLETS & SMARTPHONES
Two different ANDROIDAPPs are available for free at Google Play Store:
– The simplified APP version of 3cMAP software allows a wide variety of adjustments of the system setup and it´s only recommended for the installer or the advanced user.
– On the contrary, the user-level APP “REMDROID” is the perfect tool for the end user, usually a non-expert operator who will be now capable of making adjustments of the audio system (and even preset recalls) in a safe and easy way. All the parameters which the user will be able to control are defined by the installer, so that the system can satisfy the needs of the installation while ensuring the stability and safety of the equipments
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